{"id":2469,"date":"2021-01-11T15:59:39","date_gmt":"2021-01-11T16:59:39","guid":{"rendered":"http:\/\/karenkeyhani.com\/en\/?page_id=2469"},"modified":"2022-02-05T10:34:14","modified_gmt":"2022-02-05T11:34:14","slug":"albums","status":"publish","type":"page","link":"http:\/\/karenkeyhani.top\/?page_id=2469","title":{"rendered":"Albums’ Info"},"content":{"rendered":"

The Waste Land\u00a0<\/strong><\/span>by Telesk Records, December 2020<\/strong><\/span><\/h2>\n\n\n\n
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The Waste Land<\/strong><\/span><\/div>\n
Three pieces for bassoon by Iranian composers, including Karen Keyhani’s\u00a0Thus Idle Land\u00a0<\/strong>for bassoon and oud<\/div>\n
Elise Jacoberger<\/a>;<\/strong> bassoon,\u00a0Yasamin Shahhosseini<\/a>;<\/strong> oud<\/div>\n
Released by\u00a0Telesk Records<\/a><\/strong><\/div>\n
Tehran, December 2020<\/div>\n
The Recording is available in digital platforms worldwide, Hi Fi Audio and also in CD formats on following links:<\/div>\n
BEEPTUNES<\/b>\u00a0<\/a>Media Market Link (only in Iran)<\/strong><\/div>\n<\/div>\n
Itunes<\/b><\/a><\/div>\n
Spotify<\/b><\/a><\/div>\n
Amazon<\/b><\/a><\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

DIALOGUE\u00a0<\/strong><\/span>by Mahoor Records, March 2019<\/strong><\/span><\/h2>\n\n\n\n
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DIALOGUE<\/b><\/span><\/div>\n
Eight pieces by Iranian composers, for violin and cello\u00a0 including Karen Keyhani’s\u00a0The Last Drop of Sound\u00a0<\/strong><\/a><\/div>\n
Nivak Ensemble<\/a>;<\/strong>\u00a0Golriz Zarbakhsh\u00a0<\/strong>violin, Zhabiz Zarbakhsh<\/strong>;<\/strong> cello<\/div>\n
Released by\u00a0Mahoor Institute of Culture and Arts<\/a><\/strong><\/div>\n
Tehran, March 2019<\/div>\n
Cover Painting:\u00a0Bahareh Raeesi<\/strong><\/a><\/div>\n
The Recording is available in digital platforms worldwide, Hi Fi Audio and also in CD formats on following links:<\/div>\n
BEEPTUNES<\/b>\u00a0<\/a>Media Market Link (only in Iran)<\/strong><\/div>\n<\/div>\n
Discogs<\/a><\/strong><\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

GARDEN OF LEAFLESSNESS<\/span> (selected solo and chamber works) <\/strong>by Mahoor Records, June 2017<\/strong><\/span><\/h2>\n\n\n\n
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Garden of Leaflessness<\/b><\/span><\/div>\n
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Karen Keyhani’s\u00a0<\/span><\/span><\/b>selected solo and chamber works (2013-2016)<\/div>\n
Released by\u00a0Mahoor Institute of Culture and Arts<\/a><\/div>\n
Tehran, June 2017<\/div>\n
Cover Painting:\u00a0Bahareh Raeesi<\/strong><\/div>\n
The Recording is available in digital platforms worldwide, Hi Fi Audio and also in CD formats on following links:<\/div>\n
BEEPTUNES<\/b>\u00a0<\/a>Media Market Link (only in Iran)<\/div>\n<\/div>\n
Itunes<\/a><\/b><\/div>\n
Spotify<\/b><\/a><\/div>\n
Amazon<\/a><\/b><\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

modes<\/em> <\/strong><\/span>by Navona Records, August 2016<\/strong><\/span><\/h2>\n\n\n\n
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Modes\u00a0by Navona Records<\/a><\/strong><\/span><\/p>\n

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The 30th edition of the celebrated Society of Composers, Inc. CD Series.<\/p>\n

modes\u00a0<\/strong><\/em>album includes seven compositions by: Karen Keyhani, Robert A. Baker, Nolan Stolz, Arthur Gottschalk, Benjamin D. Whiting, Yip Ho Kwen Austin, Chin Ting Chan.<\/p>\n

Karen Keyhani’s\u00a0As Far As Possible<\/strong><\/a>\u00a0for Santour and Ensemble was Performed and recorded by Ensemble Matka, Geneva, 2014<\/p>\n

Ensemble MATKA:\u00a0<\/strong>Elena Schwarz<\/a>, conductor; \u00c9lodie Virot, flutes; Clothilde Ramond, oboe;<\/p>\n

Blaise Ubaldini<\/a>: clarinets, Alon Stoler: trombone, Anne Chabot: percussion,<\/p>\n

Aur\u00e9lie Communal<\/a>: harp, Layla Ramezan<\/a>: piano, Pouya Saraei: santour,<\/p>\n

Patrik Schleuter<\/a>: violin, Isabel Villanueva<\/a>: viola, Guillaume Quartenoud<\/a>:<\/p>\n

cello, Shagan Grolier<\/a>: double bass.<\/p>\n

Available in:\u00a0Amazon<\/a><\/strong><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0Only That Spark and Nothing More<\/span>, <\/strong>by Arqanoon Records, May 2014<\/strong><\/span><\/h2>\n\n\n\n
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\"\"\"\"<\/a> Only That Spark and Nothing More<\/span><\/strong><\/p>\n

Karen Keyhani’s<\/span>\u00a0<\/strong>Selected pieces for ensemble (2010-2012)<\/p>\n

Released by Arqanoon Records<\/strong>, May 2014, Tehran<\/div>\n
Graphic Designer: Mohammadreza Parasmand<\/div>\n
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The Recording is available in digital platforms worldwide, Hi Fi Audio and also in CD formats on following links:<\/div>\n
BEEPTUNES<\/b>\u00a0<\/a>Media Market Link (only in Iran)<\/div>\n<\/div>\n
Itunes<\/b><\/a><\/div>\n
Spotify<\/b><\/a><\/div>\n
Amazon<\/b><\/a><\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Possible Worlds Vol.2<\/span>,<\/strong>\u00a0by Spectropol Records, Washington, November 2013<\/strong><\/span><\/h2>\n\n\n\n
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Possible Worlds Vol.2<\/b><\/span><\/p>\n

Twelve microtonal pieces by various composers including Karen Keyhani’s\u00a0And His Cuff was Damped with Tears\u00a0<\/strong>for Persian string quartet performed by Chahargan ensemble:<\/p>\n

Ehsan Zabihifar<\/strong>: kamancheh 1<\/div>\n
Keykhosro Mokhtari<\/b>:\u00a0kamancheh 2<\/div>\n
Shima Shahmohamadi<\/b>:\u00a0alto gheichak<\/div>\n
Bita<\/b> Ghasemi<\/strong>:\u00a0<\/b>bass gheichak<\/div>\n
Released by\u00a0Spectropol Records:<\/b><\/div>\n
<\/div>\n
Possible Worlds Vol.2<\/span><\/a><\/b><\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Verses of the Night<\/span>\u00a0<\/strong>by Contemporary Music Records, July 2011<\/strong><\/span><\/h2>\n\n\n\n
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Verses of the Night<\/b><\/span><\/p>\n

Collection of nocturnal Piano works from Skriabin, Ravel, Takemitsu, Dusan Bogdanovic, and\u00a0Karen Keyhani (His Name is Man for piano four hands)<\/strong><\/p>\n

Performed by\u00a0Hooshyar Khayam<\/a><\/strong><\/p>\n

Contemporary Music Records, Tehran – July, 2011<\/p>\n<\/div>\n

The Recording is available in digital platforms worldwide, Hi Fi Audio and also in CD formats on following links:<\/div>\n<\/div>\n
Itunes<\/b><\/a><\/div>\n
Spotify<\/b><\/a><\/div>\n
Amazon<\/b><\/a><\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\n","protected":false},"excerpt":{"rendered":"

The Waste Land\u00a0by Telesk Records, December 2020 The Waste Land Three pieces for bassoon by Iranian composers, including Karen Keyhani’s\u00a0Thus Idle Land\u00a0for bassoon and oud Elise [\u2026]<\/span><\/p>\n","protected":false},"author":1,"featured_media":2860,"parent":2462,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2469","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"http:\/\/karenkeyhani.top\/index.php?rest_route=\/wp\/v2\/pages\/2469","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/karenkeyhani.top\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/karenkeyhani.top\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/karenkeyhani.top\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/karenkeyhani.top\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2469"}],"version-history":[{"count":22,"href":"http:\/\/karenkeyhani.top\/index.php?rest_route=\/wp\/v2\/pages\/2469\/revisions"}],"predecessor-version":[{"id":2636,"href":"http:\/\/karenkeyhani.top\/index.php?rest_route=\/wp\/v2\/pages\/2469\/revisions\/2636"}],"up":[{"embeddable":true,"href":"http:\/\/karenkeyhani.top\/index.php?rest_route=\/wp\/v2\/pages\/2462"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/karenkeyhani.top\/index.php?rest_route=\/wp\/v2\/media\/2860"}],"wp:attachment":[{"href":"http:\/\/karenkeyhani.top\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2469"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}