{"id":2396,"date":"2020-05-30T15:18:59","date_gmt":"2020-05-30T15:18:59","guid":{"rendered":"http:\/\/karenkeyhani.com\/en\/?page_id=2396"},"modified":"2024-05-25T09:46:45","modified_gmt":"2024-05-25T09:46:45","slug":"portfolio","status":"publish","type":"page","link":"http:\/\/karenkeyhani.top\/?page_id=2396","title":{"rendered":"Events"},"content":{"rendered":"

ACHT BR\u00dcCKEN Festival, Cologne, Germany, May 2024<\/strong><\/span><\/h3>\n\n\n\n
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Ensemble ColLAB conducted by Susanne<\/strong> Blumenthal<\/strong><\/a>\u00a0will play D\u00e2rvag<\/strong> <\/a>( for oud and eight instruments) at ACHT BR\u016aCKEN<\/a><\/strong> Festival<\/div>\n
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Oud Soloist:\u00a0Yasamin Shahhosseini<\/strong><\/span>\"\"<\/p>\n<\/div>\n<\/div>\n

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Monday, 6th of May at 18:00 in the HfMT Concert Hall, Cologne, Germany<\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Workshop on Dastg\u00e2h Concept in Persian Classical Music <\/span>– Cologne, Germany, May 2024<\/strong><\/span><\/h3>\n\n\n\n
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\"\"<\/p>\n<\/div>\n<\/div>\n

\u00a0Workshop on “Concept of Dastg\u00e2h in Persian Classical Music”in collaboration with Yasamin Shahhosseini<\/strong><\/div>\n
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Friday, 3rd of May 10:00-16:00 at the Hochschule f\u00fcr Musik und Tanz<\/a>, \u00a0Institut f\u00fcr Neue Musik<\/a>,<\/strong>,Room 308, Cologne, Germany<\/div>\n
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Ultraschall Festival, Berlin, Germany, January 2024<\/strong><\/span><\/h3>\n\n\n\n
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Ensemble MAM<\/strong><\/a> manufaktur f\u00fcr aktuelle musik, conducted by Susanne<\/strong> Blumenthal<\/strong><\/a>\u00a0will play D\u00e2rvag<\/strong> <\/a>(editon 2024 for Tar and eight instruments) at\u00a0Ultraschall Festival<\/strong><\/a><\/div>\n
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Tar Soloist:\u00a0\u00a0<\/span>Milad Mohammadi<\/a><\/strong>\"\"<\/p>\n<\/div>\n<\/div>\n

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Saturday 20 January at 20:00 in the Radial System, Berlin, Germany<\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

World Premiere of “D\u00e2rvag<\/span>“<\/em><\/strong>\u00a0<\/em>\u00a0by <\/span>Ensemble <\/span>Proton Bern<\/span><\/strong><\/span>, Biel and Bern, Switzerland, February 2023<\/strong><\/span><\/h3>\n\n\n\n
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For the first concert of the 2023, ENSEMBLE<\/strong>\u00a0PROTON<\/strong> BERN\u00a0<\/strong><\/a>(conducted by Susanne<\/strong> Blumenthal<\/strong><\/a>) will play four pieces including three world premieres by Jannik Giger, Zeynep Toraman, Fredreic\"\" Rzewski\u00a0 and Karen Keyhani.<\/div>\n
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Karen Keyhani’s D\u00e2rvag<\/strong>\u00a0<\/strong><\/a>for oud and 8 instruments will be premiered in this concert.\u00a0 \u00a0Oud Soloist:\u00a0\u00a0<\/span>Yasamin Shahhosseini<\/a><\/strong><\/p>\n

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Sunday 19 February\u00a0 at 18:00, in the Farelhaus, Biel, Switzerland<\/div>\n
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Monday 20 February\u00a0 at 19:30, in the PROGR Aula, Bern, Switzerland<\/div>\n<\/div>\n
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Seminar on Dastg\u00e2h Concept in Persian Classical Music <\/span>– Calgary, Canada, May 2022<\/strong><\/span><\/h3>\n\n\n\n
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Seminar on “Concept of Dastg\u00e2h in Persian Classical Music” at GMS (Graduate Music Society) Conference\"\"<\/p>\n

University of Calgary<\/a> ,\u00a0<\/strong>Faculty of Arts, School of Creative and Performing Arts, Music Department.<\/p>\n

Invited Speaker: Karen Keyhani<\/strong><\/p>\n

<\/b>May 10th, 2022<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

World Premiere of “NahiM<\/span>“<\/em><\/strong>\u00a0<\/em>\u00a0for solo piano<\/strong><\/span><\/h3>\n

37th Fajr Music Festival, Tehran, February 25th, 2022<\/h3>\n\n\n\n
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\"\"<\/p>\n

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\u00a0“NahiM”<\/strong> for solo piano will be premiered at 37th Fajr Music Festival<\/a> on Monday 14 February in Roudaki Hall, Tehran, Iran<\/div>\n
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Helia Saraidarian<\/a>: piano<\/div>\n
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World Premiere of “Zagros<\/span>“<\/em><\/strong>\u00a0<\/em>\u00a0by Ensemble MusikFabrik\u00a0<\/span><\/strong>\u00a0<\/span>and<\/strong><\/span><\/h3>\n

Yasamin Shahhosseini<\/span>, Cologne, Germany, January 2022<\/strong><\/span><\/h3>\n\n\n\n
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\"\"<\/p>\n

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For the first concert of the 2022, Ensemble MusikFabrik<\/a>\u00a0 played four world premieres together with Yasamin Shahhosseini (oud), including Karen Keyhani’s\u00a0Zagros\u00a0<\/strong><\/a>for oud, flute, double bell trumpet, percussion and violin, on Monday 10 January in the KOMED Sall, at Mediapark, Cologne, Germany.<\/div>\n<\/div>\n
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Ensemble MusikFabrik:<\/strong><\/div>\n
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Daniel Agi<\/a>;<\/strong> flutes,\u00a0Marco Blaauw<\/a>;<\/strong> trumpet,\u00a0Dirk Rothbrust<\/a>;<\/strong> percussion,\u00a0Sara Cubarsi<\/a>;<\/strong> violin<\/div>\n
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and\u00a0Yasamin Shahhosseini<\/a>;<\/strong> oud<\/div>\n<\/div>\n
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New Release<\/span>: The Waste Land\u00a0<\/strong>by Telesk Records, December 2020<\/strong><\/span><\/h3>\n\n\n\n
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\"\"<\/p>\n

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Three pieces for bassoon by Iranian composers, including Karen Keyhani’s\u00a0Thus Idle Land\u00a0<\/strong>for bassoon and oud<\/div>\n
Elise Jacoberger<\/a>;<\/strong> bassoon,\u00a0Yasamin Shahhosseini<\/a>;<\/strong> oud<\/div>\n
Released by\u00a0Telesk Records<\/a><\/strong><\/div>\n
Tehran, December 2020<\/div>\n
The Recording is available in digital platforms worldwide, Hi Fi Audio and also in CD formats on following links:<\/div>\n
BEEPTUNES<\/b>\u00a0<\/a>Media Market Link (only in Iran)<\/strong><\/div>\n<\/div>\n
Itunes<\/b><\/a><\/div>\n
Spotify<\/b><\/a><\/div>\n
Amazon<\/b><\/a><\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Seminar on Persian Dastgah Music System<\/span> – Ankara, Turkey, December 25th, 2020<\/strong><\/span><\/h3>\n\n\n\n
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\u00a0Dastgah Musical System as a Source of Inspiration\"\"<\/p>\n

Bilkent University<\/a> <\/b>(Composition Department)\u00a0<\/b><\/b><\/p>\n

Friday, December 25th, 2020<\/b><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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SIPA Festival, Solo, Indonesia, September 11th, 2020<\/strong><\/span><\/h3>\n\n\n\n
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And His Cuff was Damped with Tears\u00a0<\/strong>for Persian string quartet will be performed in\u00a0<\/span>SIPA Festival<\/a>\u00a0<\/strong>(Indonesian premiere)<\/span><\/b><\/p>\n

Live Streaming on: SIPA Festival YouTube Channel<\/a>, September 11th, 2020<\/div>\n
Ehsan Zabihifar<\/strong>: kamancheh 1<\/div>\n
Keykhosro Mokhtari<\/b>:\u00a0kamancheh 2<\/div>\n
Shima Shahmohamadi<\/b>:\u00a0alto gheichak<\/div>\n
Bita<\/b> Ghasemi<\/strong>:\u00a0<\/b>bass gheichak<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/span><\/h3>\n

Musik Im Museum<\/span> Project, Duisburg, Germany, May 29th, 2020<\/strong><\/span><\/h3>\n\n\n\n
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Nightly Monologue No.3<\/a>\u00a0<\/strong>for solo trombone will be performed in\u00a0Musik Im Museum<\/strong><\/em>\u00a0performance series (joint project of Duisburg Philharmonic and Lehmbruck Museum), Duisburg, Germany<\/b><\/div>\n
Rocco Rescigno<\/strong><\/a>: trombone<\/div>\n
Live Streaming on: Duisburger-Philharmoniker YouTube Channel<\/a>\u00a0<\/strong>, May 29th, 2020<\/div>\n
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World Premiere<\/span> of My Spring Your Fall<\/em><\/span><\/strong>\u00a0<\/em><\/span>for\u00a0oboe,\u00a0Roudaki Hall, Tehran, November 7th, 2019<\/strong><\/span><\/h3>\n\n\n\n
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\"\"My Spring Your Fall\u00a0<\/strong>for solo oboe will be premiered in\u00a0<\/span>Nazanin Ahmadzadeh<\/strong>‘s concert;\u00a0<\/span>Contemporary Music of Iran for Oboe and Ensemble<\/strong><\/strong><\/strong><\/strong><\/strong><\/p>\n

Roudaki Hall, Tehran, November 7th, 2019, 20:00<\/div>\n
in this concert Nazanin will play compositions by:<\/strong><\/div>\n
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Mohammad Reza Tafazzoli<\/div>\n
Armin Sanayei<\/div>\n
Rouzbeh Rafie<\/div>\n
Shervin Abbasi<\/div>\n<\/div>\n
Karen Keyhani<\/div>\n
Musicians:<\/strong><\/div>\n
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Nazanin Ahmadzadeh: oboe<\/div>\n
Karan Salajegheh: piano<\/div>\n
Mohammadhadi Yousei; piano<\/div>\n
Yasaman Koozehgar: cello<\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

New Release: DIALOGUE\u00a0<\/span><\/strong>by Mahoor Records, March 2019<\/strong><\/span><\/h3>\n\n\n\n
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\"\"<\/p>\n

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Eight pieces by Iranian composers, for violin and cello\u00a0 including Karen Keyhani’s\u00a0The Last Drop of Sound\u00a0<\/strong><\/a><\/div>\n
Nivak Ensemble<\/a>;<\/strong>\u00a0Golriz Zarbakhsh\u00a0<\/strong>violin, Zhabiz Zarbakhsh<\/strong>;<\/strong> cello<\/div>\n
Released by\u00a0Mahoor Institute of Culture and Arts<\/a><\/strong><\/div>\n
Tehran, March 2019<\/div>\n
The Recording is available in digital platforms worldwide, Hi Fi Audio and also in CD formats on following links:<\/div>\n
BEEPTUNES<\/b>\u00a0<\/a>Media Market Link (only in Iran)<\/strong><\/div>\n<\/div>\n
Discogs<\/a><\/strong><\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Receiving the Barbad Award<\/span> for Best Classical Music Composer of The Year <\/strong><\/span><\/h3>\n

The 33rd Fajr Music Festival – January 2018<\/strong><\/span><\/h3>\n\n\n\n\n
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World Premiere<\/span> of\u00a0\u00a0<\/strong><\/span>Bubbles No.1 <\/strong><\/span>for solo cello, Divertimento ensemble<\/span>, Milan, March 2018<\/strong><\/span><\/h3>\n\n\n\n\n
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Bubbles No.1<\/a>\u00a0<\/strong>(for solo cello)\u00a0by Karen Keyhani will be premiered in Milan, Italy.<\/p>\n

Soloist:\u00a0Martina Rudic<\/a><\/strong><\/p>\n

GAM\u00a0<\/a><\/strong>(Galleria d’Arte Moderna), Milan, Italy, March 18th, 2018<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n

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GARDEN OF LEAFLESSNESS (selected solo and chamber works) by Mahoor Records <\/strong><\/span><\/h3>\n

Release Date: June 2017<\/strong><\/span><\/h3>\n\n\n\n\n
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\u00a0Hejrani<\/span> <\/strong>for flute & piano, Risuonanze Festival<\/span>, Italy, June 2017<\/strong><\/span><\/h3>\n\n\n\n\n
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\"\"\"\"<\/a>Hejrani\u00a0<\/strong><\/a>for flute and piano will be performed (Italian premiere) in\u00a0<\/span>Risuonanze Festival<\/a><\/strong><\/b><\/p>\n

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Nightly Monologue II <\/strong><\/span>for Solo Harp – New York City,<\/span> April 26th, 2017<\/strong><\/span><\/h3>\n\n\n\n
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Karen Keyhani:\u00a0“Nightly Monologue II<\/a>“<\/b>\u00a0for solo harp will be performed at Mata Festival<\/strong><\/a> 2017<\/div>\n
Soloist:\u00a0Bridget Kibbey\u00a0<\/a><\/strong><\/b><\/div>\n
The Kitchen, NYC, USA, April 26th, 2017<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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As Far As Possible <\/strong><\/span>for santour and ensemble, Rondo 2017<\/span> – Milan, Italy<\/strong><\/span><\/h3>\n\n\n\n
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\u00a0Karen Keyhani’s\u00a0<\/b>“As Far As Possible<\/a>”\u00a0\u00a0<\/i>for santour and ensemble will be performed in<\/span>\u00a0Rondo event 2017<\/a><\/div>\n
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<\/b>Divertimento Ensemble<\/a>, condoctor: Sandro Gorli<\/a>, Santour Soloist:\u00a0Karen Keyhani<\/div>\n
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Auditorium San Fedele<\/a>, Milano, March 10th, 2017 – 20:30<\/div>\n
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Meeting With Iranian Composers – Milano Conservatory, March 9th, 2017<\/strong><\/span><\/h3>\n\n\n\n
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Meeting With Iranian Composers<\/strong><\/div>\n
Keynote Speakers: Mehdi Khayami,\u00a0Karen Keyhani, Alireza Farhang and musicians of\u00a0Mehraein Ensemble<\/b>\u00a0(conducted by Karen Keyhani)<\/div>\n
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Talking about\u00a0“Iranian Classical Music from Past to Present<\/b>“<\/b><\/div>\n
\u00a0<\/b><\/div>\n
in collaboration with\u00a0Giuseppe Verdi di Milano<\/a>\u00a0<\/b>(Conservatory of Music)<\/div>\n
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Via Conservatorio, 12, Milano – March 9th, 2017<\/div>\n
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The Last Drop Of Sound<\/strong><\/span>\u00a0for\u00a0violin & cello<\/strong>\u00a0will be premiered<\/span> by Nivak Ensemble<\/span>\u00a0<\/strong><\/span><\/h3>\n

Tehran<\/span> – 15th & 16th December 2016<\/strong><\/span><\/h3>\n\n\n\n
\"\"<\/p>\n
Nivak Ensemble<\/b><\/a>\u00a0will premiere Karen Keyhani’s\u00a0The Last Drop of Sound<\/a>\u00a0<\/i>for violin and cello<\/div>\n
Roudaki Hall, Tehran, 15th and 16th December 2016<\/div>\n
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In this concert Nivak Ensemble will Premiere eleven compositions by:<\/strong><\/div>\n
Kiawasch Sahebnassagh, Karen Keyhani, Alireza Farhang, Mehdi Khayami, Rouzbeh Rafie, Idin Samimi Mofakham, Amin Honarmand, Behzad Ranjbaran, Paolo Longo, Alessandro Solbiati, Arshia Samsaminia<\/div>\n
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Nivak Ensemble:<\/strong><\/div>\n
Golriz Zarbakhsh: violin<\/div>\n
Zhabiz Zarbakhsh: cello<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

To Her Beautiful Eyes <\/strong>for string quartet will be performed<\/strong>\u00a0by Respina String<\/strong>\u00a0Quartet<\/strong><\/span><\/h3>\n

Tehran<\/strong>,\u00a02nd & 3rd<\/strong>\u00a0of December 2016<\/strong><\/span><\/h3>\n\n\n\n
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Respina String Quartet\u00a0<\/strong>will perform\u00a0To Her Beautiful Eyes<\/i><\/a>\u00a0by Karen Keyhani<\/div>\n
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Roudaki Hall, Tehran, 2nd and 3rd December 2016<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

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Iranian Music Between Past and Present – Venice Biennale<\/span> of Contemporary Music, October 2016<\/strong><\/span><\/h3>\n\n\n\n
\"\"<\/p>\n

\"\"<\/a>As Far As Possible<\/b>\u00a0<\/a>for santour and ensemble will be performed in<\/span>\u00a0Biennale Musica 2016<\/a><\/b><\/span><\/p>\n

by <\/span>Divertimento Ensemble;\u00a0<\/a>condoctor: <\/span>Sndro Gorli<\/a>, Santour Soloist:\u00a0Karen Keyhani<\/span><\/p>\n

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In this concert “Iranian Music Between Present and Past”; Divertimento Ensemble will play compositions by Alireza Farhang, Mehdi Khaiami, and Karen Keyhani; Mehraein Ensemble (conducted with Karen Keyhani) will play Persian Traditional Music.<\/div>\n
October 16th, 2016 – 16:30 pm<\/div>\n
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\"Iran<\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0As Far As Possible<\/span>” for santour and ensemble in Apperto Music Festival<\/span>, Italy, October 2016″<\/strong><\/span><\/h3>\n\n\n\n
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As Far As Possible<\/b><\/a>\u00a0for santour and ensemble by Karen Keyhani will be performed in\u00a0<\/span>Apperto Music Festival<\/strong><\/p>\n

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\u00a0<\/i><\/div>\n
Divertimento Ensemble<\/a>, Sandro Gorli<\/a><\/strong>;\u00a0conductor<\/div>\n
Karen Keyhani; Santour soloist<\/div>\n
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October 17th, 2016 – 08:30 pm<\/div>\n
Address: Teatro Cavallerizza, Viale A. Allegri, 8, Reggio Emilia, Italy<\/div>\n<\/div>\n
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New Release<\/span>: modes<\/em> <\/span>by Navona Records, August 12th, 2016<\/strong><\/span><\/h3>\n\n\n\n\n
Modes\u00a0by Navona Records<\/a><\/strong><\/p>\n

\"\"<\/p>\n

The 30th edition of the celebrated Society of Composers, Inc. CD Series.<\/p>\n

modes\u00a0<\/strong><\/em>album includes seven compositions by: Karen Keyhani, Robert A. Baker, Nolan Stolz, Arthur Gottschalk, Benjamin D. Whiting, Yip Ho Kwen Austin, Chin Ting Chan.<\/p>\n

Karen Keyhani’s\u00a0As Far As Possible<\/strong><\/a>\u00a0for Santour and Ensemble was Performed and recorded by Ensemble Matka, Geneva, 2014<\/p>\n

Ensemble MATKA:\u00a0<\/strong>Elena Schwarz<\/a>, conductor; \u00c9lodie Virot, flutes; Clothilde Ramond, oboe;<\/p>\n

Blaise Ubaldini<\/a>: clarinets, Alon Stoler: trombone, Anne Chabot: percussion,<\/p>\n

Aur\u00e9lie Communal<\/a>: harp, Layla Ramezan<\/a>: piano, Pouya Saraei: santour,<\/p>\n

Patrik Schleuter<\/a>: violin, Isabel Villanueva<\/a>: viola, Guillaume Quartenoud<\/a>:<\/p>\n

cello, Shagan Grolier<\/a>: double bass.<\/p>\n

Available in:\u00a0Amazon<\/a><\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n

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Nightly Monologue II <\/strong><\/span>for solo harp will be performed at Bloomington, IN., USA\u00a0<\/strong><\/span><\/h3>\n

June 12th, 2016<\/strong><\/span><\/h3>\n\n\n\n\n
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\"\"<\/p>\n

Harpist\u00a0Peggy Houng<\/strong>\u00a0will perform ‘Nightly Monologue II<\/a>‘ as part of USAIHC Composer’s Forum Concert.<\/p>\n

The concert will feature finalists for the 2016 composition competition including works by Evan Fein, Nathan Cornelius,\u00a0Karen Keyhani<\/strong>, Monika Dalach, Bora Uymaz, and Shai Cohen.<\/p>\n

S<\/strong>unday, June 12, 2016 –\u00a01:00 pm<\/p>\n

A<\/strong>uer Hall, Jacobs School of Music, Indiana University,
\nBloomington, IN, 47405 United States<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n

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Hejrani II <\/strong><\/span>for solo flute , World Premiere<\/span> – July 18th, 2016<\/strong><\/span><\/h3>\n\n\n\n\n
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Hejrani II<\/strong>\u00a0<\/em>for solo flute, world premiere<\/p>\n

Flute:\u00a0Julie Brunet-Jailly<\/a><\/strong><\/p>\n

College of Fine Arts – University of Tehran, July 18th, 2016<\/p>\n

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Risuonanze Contemporary Music Festival – Italy, May 30th 2016<\/strong><\/span><\/h3>\n\n\n\n
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Thou Knowest<\/strong><\/em>\u00a0<\/a>for mezzo soprano and piano (World Premiere)<\/p>\n

Akiko Kozato<\/strong>: Mezzo Soprano<\/p>\n

Adele D’Aronzo<\/strong>: Piano<\/p>\n

Villa De Rubeis Florit, Tarcento, Italy – May 30th\u00a02016 – 9:00 pm<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n

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Recording Session with Tehran Symphony Orchestra<\/span> – November 2015<\/strong><\/span><\/h3>\n\n\n\n\n
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Risuonanze Festival – Italy, May & June 2015<\/strong><\/span><\/h3>\n\n\n\n\n
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Foundation L’Abri, Geneva, Switzerland, February 2015<\/strong><\/span><\/h3>\n\n\n\n\n
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Swiss premiere of\u00a0Hejrani\u00a0<\/strong><\/a>for flute and piano<\/p>\n

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Kresge Recital Hall<\/span>, Pittsburgh, United States<\/span> – February 2015<\/strong><\/span><\/h3>\n\n\n\n\n
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\"\"\"\"<\/a>\u00a0World premiere<\/strong> of\u00a0Hejrani\u00a0<\/strong><\/a>for flute and piano<\/p>\n

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One Hundred Years of Iranian Music for Piano, Tehran, December 2014<\/strong><\/span><\/h3>\n\n\n\n
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\"\"\"\"<\/a>\u00a0Piano Works by 21 Contemporary Persian Composers\u00a0<\/strong><\/span><\/p>\n

Karen Keyhani’s\u00a0On The Wet Road<\/strong><\/a><\/i>\u00a0<\/strong>, for piano will be World Premiered in One Hundred Years of Iranian Music for Piano<\/strong> <\/a>project.<\/div>\n
<\/div>\n
Piano: Layla Ramezan<\/strong><\/a><\/div>\n
<\/div>\n
Roudaki Concert Hall, Tehran<\/div>\n
<\/div>\n
25th & 26th of December 2014<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\n

Nominated for the Best Iranian Contemporary Classical Music Album of Two Years – February 2016<\/strong><\/span><\/h3>\n\n\n\n\n
\"\"<\/p>\n

Only That Spark And Nothing More<\/a> (selected chamber works by Karen Keyhani),\u00a0<\/b>Arqanoon records, was nominated for the best contemporary classical music album of two years (2014 and 2015) in 31st Fajr Music Festival.<\/span><\/p>\n

\n

Contemporary Music For Solo Oboe, London, January 2016<\/strong><\/span><\/h3>\n\n\n\n\n
\n

\"\"\"\"<\/a><\/p>\n

Catherine Pluygers<\/a>\u00a0<\/strong>will play Nightly Monologue No.1 <\/strong>for solo oboe.<\/p>\n

in this concert Catherine will play works by:<\/strong><\/p>\n

Karen Keyhani, Howard Skempton, David Sutton-Anderson, Cornelius Cardew, Niiccoio Castiglioni, Priaulx Ranier, Angel Hernandez<\/p>\n

\n

Finalist<\/span> of 2015 US Harp Composition Competition<\/span>, January 2016<\/strong><\/span><\/h3>\n\n\n\n\n
\n

\"\"\"\"<\/a><\/p>\n

\n

Selected Composer for the Next SCI Cd Series<\/span> – November 2015<\/strong><\/span><\/h3>\n\n\n\n\n
\"\"<\/p>\n
\n

Candidate Best Contemporary Music Album – October 2015<\/strong><\/span><\/h3>\n\n\n\n
\"\"\"\"<\/a><\/p>\n
Only That Spark and Nothing More<\/a> (selected works for ensemble by Karen Keyhani),\u00a0<\/b>Arqanoon records, Tehran, Iran, 2014 candidate for best contemporary music album in 3rd celebration of\u00a0Musicema.com\u00a0<\/a>(a prominent Iranian music website)<\/div>\n
<\/div>\n
Vahdat Hall, Tehran, Iran, October 2015<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\n\n\n\n\n
\n
<\/div>\n<\/td>\n<\/tr>\n
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Antithesis Project – United States, November & December 2014<\/strong><\/span><\/h3>\n\n\n\n\n
\"\"<\/p>\n
\n

In the Midst of Bubble<\/span>, Tehran, October & November 2014<\/strong><\/span><\/h3>\n\n\n\n\n
\n
\"\"<\/div>\n
Music and Painting Performance in collaboration with Bahareh Raeesi\u00a0<\/strong>(Painter)<\/div>\n
Composers: Karen Keyhani & Ehsan Saboohi<\/div>\n
Santour Soloist: Pouya Saraei<\/div>\n
\n

YCMF festival Indonesia, November 2014<\/strong><\/h3>\n\n\n\n\n
\"\"<\/p>\n

\"\"<\/a>Karen Keyhani’s\u00a0To Her Beautiful Eyes<\/i>\u00a0for string quartet will be performed at\u00a0YCMF\u00a0<\/strong>(Yogyakarta Contemporary Music Festival), Yogyakarta, Indonesia<\/p>\n

\n

La Crosse New Music Festival, USA, November 12th<\/strong><\/h3>\n\n\n\n\n
\"\"\"\"<\/a><\/p>\n

Letters Home: Music of Middle East<\/span><\/a><\/p>\n

\n

Lecture on Persian Classical Music Theory, Geneva, October 2014<\/strong><\/h3>\n\n\n\n
\"\"<\/p>\n

Three Approaches\u00a0For Persian Music Theory<\/b><\/p>\n

Keynote Speaker: Karen Keyhani<\/div>\n
GMTH\u00a0<\/a><\/strong>(the assosiation of German-speaking music theory)\u00a0Congress\u00a0<\/strong><\/div>\n
<\/div>\n
Hem\u00a0<\/a><\/strong>(Geneva Music University), Geneva, October 18th, 17:00<\/div>\n
<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\n

Master Class on Contemporary Music Notation – Tehran, Roudaki Hall, July&August 2014<\/strong><\/h3>\n\n\n\n\n\n
\"\"Master Class on Contemporary Music Notation<\/strong><\/p>\n
<\/div>\n
In collaboration with:<\/div>\n
Layla Ramezan; Pianist<\/div>\n
Ehsan Saboohi; Composer<\/div>\n
<\/div>\n
July 28th to September 1st, 2014 (every Monday, 9:00-11:00 a.m.)<\/div>\n
Roudaki Concert Hall, Tehran<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n
\n

<\/h3>\n<\/td>\n<\/tr>\n

\n

Mise-en Festival<\/span>, New York – June 2014<\/strong><\/span><\/h3>\n\n\n\n\n
\"\"<\/p>\n
\n

New Released;<\/span> “Only That Spark and Nothing More”, Arqanoon Records, May 2014<\/strong><\/span><\/h3>\n\n\n\n\n
\"\"\"\"<\/a><\/p>\n
\n

Risuonanze Festival – Italy, June 2014<\/strong><\/span><\/h3>\n\n\n\n
\"\"<\/p>\n

Nightly Monologue No.2<\/strong>,\u00a0for solo\u00a0harp \u00a0<\/i>(World Premiere)<\/p>\n

 <\/p>\n

Risuonanze Festival,\u00a0<\/strong>Trieste, Italy,\u00a0June 1st 2014<\/div>\n
<\/div>\n
<\/div>\n
Solist: Marta Marinelli<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\n

Winner<\/span> of Black House Composers Competition – Kansas, March 2014<\/strong><\/span><\/h3>\n\n\n\n\n
\n

\"\"<\/a>March 2014 – \u00a0winner of\u00a0<\/span>Black House Collective<\/span><\/a>\u00a0composers competition<\/span><\/p>\n

\n

Seminar on Persian Regional Music, Geneva, Switzerland, December, 2013<\/strong><\/span><\/h3>\n\n\n\n\n
\n
\n

New Release<\/span>: Possible Worlds Vol.2, Spectropol Records, Washington, November 2013<\/strong><\/span><\/h3>\n\n\n\n\n
\"\"<\/p>\n

Twelve microtonal pieces by various composers including Karen Keyhani’s\u00a0And His Cuff was Damped with Tears\u00a0<\/strong>for Persian string quartet performed by Chahargan ensemble:<\/p>\n

Ehsan Zabihifar<\/strong>: kamancheh 1<\/div>\n
Keykhosro Mokhtari<\/b>:\u00a0kamancheh 2<\/div>\n
Shima Shahmohamadi<\/b>:\u00a0alto gheichak<\/div>\n
Bita<\/b> Ghasemi<\/strong>:\u00a0<\/b>bass gheichak<\/div>\n
\n

Persian Contemporary Music Concert – Geneva<\/span>, November, 2013<\/strong><\/span><\/h3>\n\n\n\n\n
\"\"\"\"<\/p>\n

Karen Keyhani:\u00a0<\/strong>As Far As Possible\u00a0<\/i>(for ensemble and Santour) will be premiered by Ensemble MATKA:\u00a0<\/strong>Elena Schwarz;<\/a>\u00a0conductor<\/p>\n

santour soloist; Karen Keyhani<\/p>\n

\n

Master Class on Micro-tonal music – hem, Geneva<\/span>, October, 2013<\/strong><\/span><\/h3>\n\n\n\n
\"\"<\/p>\n

Geneva Music university(hem)<\/span><\/a><\/p>\n

<\/div>\n
Wednesday, 18th December, 2013<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\n

Conference on Persian Dastgah music system – Geneva<\/span>, November, 2013<\/strong><\/span><\/h3>\n\n\n\n\n
\"\"<\/p>\n

Haute \u00e9cole de musique de Gen\u00e8ve<\/a>\u00a0(Ethnomusicology Department)\u00a0<\/strong><\/p>\n

Tuesday(5th) & Thursday(7th), 2013<\/strong><\/p>\n

In collaboration with\u00a0Patrik Dasen<\/a><\/em>\u00a0(Ethnomusicologist)<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n

\n

16th London New Wind Festival<\/span> – September 2013<\/strong><\/span><\/h3>\n\n\n\n\n
\"\"<\/p>\n

St Cyprian’s Church,<\/strong>\u00a0Friday 20th September 2013<\/strong><\/p>\n

“Only That Spark and Nothing More”<\/em>\u00a0for solo oboe in:<\/p>\n

16th London New Wind Festival\u00a0<\/a>(New Music for Winds)<\/p>\n

Caterine Pluygers<\/a>:\u00a0oboe<\/em><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n

\n

Milad Tower Hall,Tehran, Iran – August, 29th & 30th, 2013<\/strong><\/span><\/h3>\n\n\n\n\n
\n
\n

Arasbaran Cultural Center, Tehran, Iran – Saturday 17 August 2013<\/strong><\/span><\/h3>\n\n\n\n\n
\"\"<\/p>\n

A Seminar on Contemporary Music\u00a0Discussing\u00a0“Only That Spark and Nothing More”<\/em>\u00a0\u00a0for solo Oboe\u00a0<\/strong><\/p>\n

With an Introduction and Unveiling of the Sheet Music for this piece.<\/p>\n

Featuring:<\/p>\n

Arvin Sedaghatkish<\/strong><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n

\n

Retrospective Concert, Roudaki Concert Hall, 2013 – Photos<\/span><\/h3>\n\n\n\n
\"\"<\/p>\n

Retrospective concert, Music of Karen Keyhani (selected solo and ensemble music 2009-2013)<\/p>\n

Musicians:<\/p>\n

Scheherazade String Ouartet\u00a0<\/strong><\/a>(Tina Jamehgarmi, Parisa Pirzadeh, Sanowa Andalibi, Negar Norad)<\/p>\n

Chahargan String Quartet<\/a>\u00a0<\/strong>(Ehsan Zabihifar, Keikhosoro Mokhtari, Shima Shahmohammadi, Bita Ghasemi)<\/p>\n

Hooshyar Khayam<\/a>: piano, Karan Salajegheh<\/a>: piano, Maryam Mehraban<\/a>: piano, Mehrdad Gholami<\/a>: flutes, Nazanin Ahmadzadeh<\/a>: oboe<\/p>\n

 <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/h2>\n","protected":false},"excerpt":{"rendered":"

ACHT BR\u00dcCKEN Festival, Cologne, Germany, May 2024 Ensemble ColLAB conducted by Susanne Blumenthal\u00a0will play D\u00e2rvag ( for oud and eight instruments) at ACHT BR\u016aCKEN Festival Oud [\u2026]<\/span><\/p>\n","protected":false},"author":1,"featured_media":2861,"parent":0,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2396","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"http:\/\/karenkeyhani.top\/index.php?rest_route=\/wp\/v2\/pages\/2396","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/karenkeyhani.top\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/karenkeyhani.top\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/karenkeyhani.top\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/karenkeyhani.top\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2396"}],"version-history":[{"count":89,"href":"http:\/\/karenkeyhani.top\/index.php?rest_route=\/wp\/v2\/pages\/2396\/revisions"}],"predecessor-version":[{"id":2885,"href":"http:\/\/karenkeyhani.top\/index.php?rest_route=\/wp\/v2\/pages\/2396\/revisions\/2885"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/karenkeyhani.top\/index.php?rest_route=\/wp\/v2\/media\/2861"}],"wp:attachment":[{"href":"http:\/\/karenkeyhani.top\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2396"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}